Anselm Kiefer, Töchter Liliths (Lilith’s Daughters), 1986, oil, emulsion, shellac, sand, fabric, and photographs on panel in steel-and-glass frame, 120 1/2 x 113 3/8 in.
Former Warehouse assistant Catherine Mary Camargo recently wrote about Anselm Kiefer and the Margulies Collection for Miami Native Magazine, read her article here.
On two occassions, Yota Batsaki, scholar and executive director of Dumbarton Oaks, a Harvard University research center, museum and historic garden in Washington, DC, has published articles on Anselm Kiefer's Geheimnis der Farne (2007) and Die Erdzeitalter (2014).
Links to her research can be found below:
Batsaki, Yota. "The Apocalyptic Herbarium: Mourning and Transformation in Anselm Kiefer's Secret of the Ferns." Environmental Humanities 13, no. 2 (November 2021): 391-413.
Batsaki, Yota. "Picturing Time in the Anthropocene: Anselm Kiefer's Ages of the World (2014)." Environmental History 28, no. 4 (October 2023): 766-84.
Anselm Kiefer, Töchter Liliths (Lilith’s Daughters), 1986, oil, emulsion, shellac, sand, fabric, and photographs on panel in steel-and-glass frame, 120 1/2 x 113 3/8 in.
Anselm Kiefer, Sprache der Vögel (Language of the Birds), 1989, lead, steel, wood, oil, plaster, resin, and acrylic, 114 3/16 × 194 1/8 × 66 15/16 in.
Anselm Kiefer
Lilith's Töchter, 1991
paint, paper, fabric, resin, metal and caulk on wood panel
90 x 88 1/4 x 6 1/2 inches
Anselm Kiefer, Dein Haus ritt die finstere Welle (Your House Rode the Dark Wave), 2006, oil, emulsion, acrylic, charcoal, lead, branches, metal, and wood on canvas, 144 1/2 × 130 3/8 × 32 in
Anselm Kiefer, Geheimnis der Farne (Secret of the Ferns), 2007, forty-eight paintings (clay, argile, ferns, and emulsion), each 74 13/16 × 55 1/8 in., and three concrete sculptures, overall dimensions variable
Anselm Kiefer, Leviathan und Behemoth (2x5 Aufnahmen), 2013, silver emulsion and mixed media on photography in a glazed and steel frame, 53 9/16 x 253 1/8 x 3 1/4 inches
Anselm Kiefer, Die Erdzeitalter, 2014, two gouache and charcoal works on photographic paper and canvas and one sculpture, dimensions variable
Anselm Kiefer, Die Walküren (The Valkyries), 2016, glass, metal, fabric, shellac, plaster, lead, dried plants, and ashes, 115 3/8 × 220 1/2 × 90 15/16 in.