Anselm Kiefer, Geheimnis der Farne (Secret of the Ferns), 2007, forty-eight paintings (clay, argile, ferns, and emulsion), each 74 13/16 × 55 1/8 in., and three concrete sculptures, overall dimensions variable

Anselm Kiefer, Die Walküren (The Valkyries), 2016, glass, metal, fabric, shellac, plaster, lead, dried plants, and ashes, 115 3/8 × 220 1/2 × 90 15/16 in.

Anselm Kiefer, Töchter Liliths (Lilith’s Daughters), 1986, oil, emulsion, shellac, sand, fabric, and photographs on panel in steel-and-glass frame, 120 1/2 x 113 3/8 in.

George Segal, Depression Bread Line, 1991, bronze, 108 x 148 x 36 in. 

George Segal, Subway, 1968, plaster, metal, and glass, 88 x 150 x 13 1/2 in. 

Dan Flavin, Untitled, in Honor of Harold Joachim #2, 1977, pink, blue, green, and yellow fluorescent lights, 48 × 48 in.

Isamu Noguchi, Man, 1979, granite, 100 1/2 × 34 × 20 in.

Michael Heizer, Elevated Surface Depressed, 1969-81, volcanic rock, scoria, and diamond-plate aluminum pedestals, 6 ft. × 52 ft. 9 in. × 8 ft. 

Barry McGee, Untitled (Truck Installation with TVs), 2004, truck, TVs, DVDs, and painted wood panels, 8 x 22 x 7 ft. 

Nancy Rubins, Drawings & Hot Water Heaters, 1991–95, hot-water heaters, black tie-wire cable, and graphite pencil on paper, 216 x 132 x 120 in.